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All products Paul Cézanne • Products of the topic Umbrellas
Square Art Umbrella - 87 x 87 cm - CEZANNE : La montagne Sainte Victoire
REF : PARAD-CEZ-01
In stock
Only 1 in stock
Unavailable
99,00 €
Cover: square, seamless, of high quality, made of 100% polyester fabric: 87 x 87 cm
Umbrella length: 77 cm
Weight: ultra-light, only 400g
Very sturdy: double bracing
Waterproofing: Teflon-coated, its perfect waterproofing ranges from 180 to 200 Schmerber (unit of waterproofing)
Its printing, through sublimation process, makes the inks indestructible to UV rays, so the umbrella can also be used as a parasol
Modular (the cover, the mast, and the handle can be changed by the customer in a few seconds)
Made in France
The Delos square received the Gold Medal at the 2001 Lépine competition (Patented and trademarked)
Robust, elegant, technically innovative, and aesthetically perfect, the Carré Delos is simplicity at the service of fashion.
So forget the plain umbrellas of yesteryear and opt for the modernity and artistry of an umbrella that will make you proud if it is intended for you or will delight the person you offer it to. Entirely made in France, this everyday object, now turned into a piece of art, chic and refined, will delight you and earn the admiration of all.
Discover the artist's categories
Paul Cézanne
Additional cultural and artistic information about the artist
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Main works
The Holy Mountain Sainte-Victoire, Still Life with Apples and Oranges, View from L'Estaque
Artistic movements
Impressionism
Inspiration, influence
Delacroix, Courbet, Manet (Romantic period, which he himself described as "bold") and then very influenced by his contemporary and friend, Pissarro.
His contemporaries
What distinguishes Cézanne: he is the most difficult of the Impressionists to approach... Even Dali, who described him as the worst French painter ever to have existed... His generation (the Impressionists) recognized and acclaimed him when critics and the public ignored him. Perhaps he was the most modern of the Impressionists, perhaps also the most uncompromising!
To keep in mind
He wanted (and sought throughout his life) to absolve himself of drawing (and of chiaroscuro) while maintaining volume, solely through the power of colors (and their modulation in light). That was his challenge!
To go further
Obsessed with the representation of nature, Paul Cézanne did not want to please the eye of the viewer, but only to make real the transition from one plane to another, from one tone to another, always without using drawing (black line) to achieve this. It is for this reason that his influence on the Cubists is significant.